洛丽塔LOLITA香水的限量珍藏版
1.Lunch of Lolita Lempicka 伊甸园1997(苹果状)
香调：花香调
前味：蝴蝶花、紫罗兰
中味：甘草、茴香
后味：兰香和麝香
是lolita 最早的也是最出名的香水
]2. Lolita Lempicka au Masculin 男士香水2000
香调：木质花香调
前味：苦艾、黑麦
中味：茴香、紫罗兰花
后味：甘草木香
3.L De Lolita Lempicka 海洋之心2006
香调： 清新东方调
前味： 佛手柑，甜橙
中味： 橙花，香草，广藿香，肉桂
后味： 欢愉木，阳光气息，麝香等
4.lolita edp midnight 午夜花 2007 10周年
前调:蝴蝶花,紫罗兰
中调:甘草,茴香
基调:兰香,麝香
午夜的限量版好像有2款,一款是金色瓶盖, 浮雕苹果,香港售价大概600多
还有一款是银色瓶盖, 银色镂空苹果托,香港售价980
香味如前面那位朋友所说
介绍一下洛丽塔香水
奢逸的诱惑——洛俪塔 夜香水(喷雾装): 80ml
独家最新上市时间：2007年10月9日至11月23日
洛俪塔“午夜之花”是洛俪塔 初香氛10周年庆典之际特别推出的限量珍藏版。这款香氛被包藏在银色蕾丝的护套中，装饰着一朵迷人而精美的午夜之花，花蕊闪耀着璀璨的光芒，就象在一件低胸裁减的晚礼服上别着一枚华美的胸针。瓶身有着极夜的深紫色光泽，像披着一件华丽的长裙，迷人而耀眼。
洛俪塔 夜珍藏系列是最让人动心的嗅觉体验。寒冷的冬季，因她那馥郁而迷人的香氛变得格外魅幻。没药的香精给了她高贵的气质；鸢尾花的精萃给了她温暖的气息，而茉莉花让她变得明媚动人。最后，安息香胶让香精更加神秘而深邃；香子兰精油给了她无尽的性感和诱人。
洛丽塔香水的限量珍藏版
你说的那个蓝色的可能是同名香水淡香版~
http://www.sephora.cn/ecommerceimage/product/P2252/P2252_hero.jpg
lolita没出过什么限量，唯一一套限量（限时发售）是去年的纪念同名香水上市10周年发售的“魔女的冲动”系列，共3款。这个曾经在国内的sephora有售。介绍：http://parfum.yculblog.com/post.2574942.html
剩下的都是豪华版和每年出的复刻版……
2005年
午夜星辰版（Midnight stardust）
http://www.fragrantica.com/images/perfume/o.3006.jpg
2006年
午夜阳光版（Midnight sun）
2007年
1，午夜鲜花版：
http://www.fragrantica.com/images/perfume/o.1945.jpg
2，同名香水的豪华版The Sublime Sin
http://www.osmoz.com/var/osmoz/storage/images/imports/and-le-peche-sublime-by-daum/19626-1-fre-FR/et-Le-Peche-Sublime-par-Daum_vignette_news.jpg
3，L的豪华版Heart Catcher
http://www.osmoz.com/var/osmoz/storage/images/imports/lolita-lempicka-unveils-two-crystalline-collectibles-l-attrape-caeur-by-baccarat/19602-1-fre-FR/Lolita-Lempicka-devoile-2-editions-de-cristalliers-L-Attrape-Caeur-par-Baccarat_vignette_news.jpg
这两个豪华版都用贵金属打造瓶身，价格不菲……
法国知名的服装设计学校有哪几个？
1、巴黎ESMOD高级时装学院
巴黎ESMOD高级时装学院创建于1841年，是世界第一所时装学院，创办者是法国著名服装裁剪大师阿列克斯拉维涅先生(ALEXIS
LAVIGNE)。它悠久的历史和享誉时装界的教学，吸引着来自世界各地的学生。ESMOD在整个行业中声名显赫，被称为“时装界的哈佛大学”。ESMOD的内衣设计、男式时装、女式时装、童装、舞台装、纺织服装及时装营销尤其有名。该校毕业生在就业市场上十分受欢迎，每年的毕业生大多在知名企业任职，成为世界级时装大师的也层出不穷。
2、巴黎MOD-ART国际服装设计学院
MOD-ART国际服装设计学院成立于上世纪90年代初，是一间新兴的私立服装设计学院，学校总部位于世界时装之都巴黎市中心著名的艺术之区。学院开设时装设计、时装制作、时装配饰、时装贸易管理等针对时装产业的专业。学院的宗旨是将学生培养成为即拥有丰富的想象力和创造力，又具有实际操作能力的时装设计师和时装制作师。学校设有法国本科1-3年课程，硕士1-2年课程，以及MBA的课程。
3、巴黎STUDIO BERCOT时装设计学院
STUDIO
BERCOT是巴黎为数不多的时装学院里，被公认为学服装设计最好的学校。自建校以来已经有20多年的历史，规模不是很大，是一个专门培养时装设计师的学校。学校课程很丰富最吸引人的地方在于开设了包括服装、鞋靴、针织、婴儿服饰在内的诸多的专业课程。总之如果想注重学习设计的话，自己多动手练习很重要。学校教学一共3年，最后一年是实习。
4、IFM法国时尚学院
IFM法国时尚学院是国家承认的高等教育机构，同样也是为纺织、时装、奢侈品和设计行业提供继续教育和专门知识的中心。
5、巴黎服装工会学院
巴黎服装工会学院是历史悠久的知名设计院校，属巴黎高档时装公会所直属，是法国最著名的服装设计学校之一。师资力量很雄厚，教育别具一格，手工课和立裁是十分著名，裁剪课非常着重做工细腻，非常精致,学校以制作为重点，偏重高级服装制作。所以学费也成正比的10780(2010学年)欧左右，并且每年以300欧左右的速度递增。
留学法国有哪些的公立服装设计大学?
【 #法国留学# 导语】法国是很多留学者渴望前往的地方，法国的服装设计专业也深受广*国留学朋友的喜爱与热衷，作为时尚之都的巴黎，每年吸引很多高端设计师前往深造，那么法国有哪些的公立服装设计大学呢?跟着 来看看吧!
法国有哪些的公立服装设计大学?为大家推荐以下几所：
1、巴黎高级时装学院ESMOD
巴黎高级时装学院ESMOD是世界的时装院校。它悠久的历史和享誉时装界的教学，吸引着来自世界各地的学生。该校是由法国服装裁剪大师阿列克斯拉维涅先生于1841年设计并创办，并且是世界上第一所服装设计学院，ESMOD学院已经成为全球纺织服装行业中最为重要的培训中心之一。作为一所历史悠久、贡献卓著的时装学院，ESMOD在整个行业中声名显赫，被称为“时装界的哈佛大学”。
2、巴黎时装工会学院
巴黎时装工会学院成立于1927年的巴黎时装联合会学院在法国时装定制业以优秀的技术工艺闻名。设计师YvesSaintLaurent，Jean-LouisScherrer和AndréCourrèges都曾在该校就读。学生毕业后可获得相当于bac+5的CAP文凭(certificatd‘aptitudeprofessionnelle，专业技能合格证书)。此外，学校还创建了圣罗赫俱乐部，并邀请了包括巴黎世家、Lanvin、kenzo、圣罗兰等品牌的人力资源经理参与其中，为学生提供了宝贵的社会资源。
3、法国国立高等装饰艺术学院
法国国立高等装饰艺术学院是全球排名前十的艺术设计学校，这所成立于1766年的学校培养出了如雕塑家罗丹，野兽派创始人马蒂斯等艺术设计领域的大师级人物。
4、StudioBer?ot服装设计学院
StudioBer?ot服装设计学院以培养创造力的设计师闻名。设计师IsabelleMarant、LolitaLempicka和GaspardYurkievich等均毕业于该校。校长MarieRucki常亲自参与到学生作品的点评工作中。学校最吸引人的地方在于开设了包括服装、鞋靴、针织、婴儿服饰在内的诸多的专业课程。此外，学校拥有丰富的企业关系网络。
5、LISAA时装设计学院
LISAA时装设计学院坐落于巴黎六区，学校提供适应未来职场的服装设计类课程。该校经常展开showroom活动，学生设置展厅，并将作品展示给教授。设计师ChantalThomass也经常参加学校的showroom，他记下学生们创作的特点，并带走他认为天赋出众的学生的名片和简历。
现实生活中有没有一种香水能做到加深女孩闻到对其印象加深的效果?
准确来说应该是没有的。如果你想要女生对你印象深刻，自身的气度、言行举止和男人味比这种香水更为重要，持续时间也更长。香水是死的，而人的风度是活的，你觉得女孩会对哪种更感兴趣？换个说法，你并不会因为哪个女孩身上的香水味更好闻而喜欢她，真正感染你的应该是她内在的气质，香水只起到锦上添花的作用。如果没有自身人格的魅力作为根基，再好闻的香水也没用。
爱茉莉太平洋集团的发展规模
爱茉莉化妆品是由韩国著名企业太平洋公司所生产的享誉全球的化妆品。太平洋公司成立于1945年，至今已有70多年的历史，是韩国最著名的企业集团，旗下子公司跨行数十业，不仅拥有自己的研发中心，而且海外分支机构横跨全球，国际行销网遍及40多个国家，所生产的化妆品项目多达4000多种。品质优良的产品，不仅在韩国国内，更受到全球消费者及用户欢迎，并已成为世界性企业。太平洋公司以“奉献美丽与健康”为经营理念，以“品质第一”为经营政策，其经营内容包括化妆品、家庭日化用品、保健食品、医药品、电子等。根据1992年以来法国FASHIONLIFE杂志所做的TOPBEAUTY分析显示，太平洋公司在化妆品行业是韩国排名第一，世界排名前20位的国际化妆品公司。爱茉莉是总公司所有化妆品的总品牌，下面还有laneige\iope\hera\等很多子品牌。另外像伊蒂之屋（Etude House)是他单独的一个年轻化的流行彩妆品牌、espoir（艾丝珀）是单独的香水品牌，还有牙膏、洗发水等,在国内销售的主要有以下产品：韩国原装进口laneige（兰芝）、沈阳合资的爱茉莉、梦妆还有上海合资的兰芝。
爱茉莉太平洋集团的介绍
爱茉莉太平洋集团是韩国享誉全球的化妆品集团公司。公司成立于1945年，至今已有70年的历史，旗下子公司跨行数十业，不仅拥有自己的研发中心，而且海外分支机构横跨全球，国际行销网遍及40多个国家，所生产的化妆品项目多达4000多种。品质优良的产品，不仅在韩国，更受到全球消费者及用户欢迎，并已成为世界性企业。爱茉莉太平洋集团以“亚洲之美”为基础，致力于实现亚洲人的美丽之梦，进而与世界共同分享亚洲之美。同时为了携手人类共同探索可持续发展，不断研发可持续的产品以及开展各种各样的社会公益活动。2015年12月17日，获得韩国国家品牌大奖。
lolita是什么意思啊?
洛丽塔（Lolita），是一种服饰类型，主要风格为甜美，古典，哥特等等。我们最早听到的洛丽塔，是一本小说的名字和一位12岁少女的名字，当“洛丽塔”流传到了日本。日本人将洛丽塔作为可爱少女的代名词，统一将14岁以下的女孩称为“洛丽塔代”。 而几乎所有东方型的“洛丽塔”，都以电影《下妻物语》里的宫廷娃娃作为标准来打扮自己。港版“洛丽塔”由此而来，而惯于向香港取经的粤版洛丽塔也一样。洛丽塔年龄集中在13－25岁，她们并不存在要拼命装嫩的需要，更多时候她们追求的是一种崭新的衣着态度，和寻求美好不一般的生活方式。现今在Lolita界的地位：Sweet Lolita正如其名，属于所有Lolita分类中服饰设计最为甜美的一个派别。Sweet系洋装的布料大多以粉红、粉蓝或白色等粉嫩可爱的单色为主。除此之外，为了能制造出一种仿若洋娃娃般可爱甜美、烂漫纯真的气息，Sweet系洋装通常会在衣物上使用比别的派系 更多的蕾丝和本布褶皱。由于版型与设计经常被山寨的缘故，各家Sweet系洋装品牌纷纷摈弃单色布料，转而使用起各种印有糖果、蛋糕、小动物或描述某个童话场景的印花布料（因为图案特殊且难以仿制，这种布料往往是单此一家别无分店，所以相当能防患于未然）。一般来说，Sweet系Lolita洋装往往比其他系别的洋装更能获得初次踏进Lolita世界的女孩们的喜欢。
lolita是什么意思
lolita是一种穿衣服风格。Lolita指的就是以哥特风格和复古风格为基础的服饰，中文翻译就是洛丽塔，女孩子穿这样的衣服会显得非常可爱，最开始在日本流行，如今已经风靡全球了。SweetLolita正如其名，属于所有Lolita分类中服饰设计最为甜美的一个派别。Sweet系洋装的布料大多以粉红、粉蓝或白色等粉嫩可爱的单色为主。除此之外，为了能制造出一种仿若洋娃娃般可爱甜美、烂漫纯真的气息。lolita服饰通常在“洋娃娃般精致”的具有花边、蕾丝、绑带或蝴蝶结为特点的服饰在基础上进行设计，以诠释某一主题，Lolita的概念沿自欧洲宫廷、贵族、洋娃娃等。Lolita源自俄裔美籍著名作家纳博可夫于1955年出版的小说《Lolita》，后被史丹利寇比力克改编成同名电影《一树梨花压海棠》，描述一位中年教授与12岁少女的纠缠情欲关系，女主角名叫Lolita。“洛丽塔时装”为风格类似古典的少女装。其虽然与“萝莉”同样来自美国作家弗拉基米尔·纳博科夫所著作的小说《Lolita》，但两者没有任何联系。洛丽塔年龄集中在13－25岁，她们并不存在要拼命装嫩的需要，更多时候她们追求的是一种崭新的衣着态度，和寻求美好不一般的生活方式。
韩国爱茉莉染发膏说明中文
中文说明如下：一、使用方法：请将本品的两种液体混合在一起使用。涂在头发上后让头发湿着，放置20-30分钟后，用水冲洗干净。二、使用注意事项：1、头发以外的部位请不要使用。2、在使用之前，首先把本品的两种液体混合在一起。3、请务必戴上手套。4、注意在洗头发时不要将液体流入眼睛里，万一流入到眼睛里的话，请直接用凉水或者温水冲洗干净。如有异常状况，请到眼科接受治疗。5、如果觉得和自己的皮肤不适合的情况下，请中止使用。6、感觉到头皮有异常的情况下，必须到医院接受诊断。7、请不要将本品放在高温或者低温的场所。也不要放在阳光直射的地方。8、请放置在小孩子够不到的场所。扩展资料：爱茉莉染发剂使用时注意事情：1、在使用爱茉莉染发剂的时候，一定要先读一下说明书，染发剂是化学制品，一定要学习正确的使用方法。2、这样才能确保安全，使用爱茉莉染发剂前不需洗发。如果用了润发护发、定型产品的，一定要先清洗干净，头发干以后才能用。4、染发前洗发的，一定要轻轻的，不要把头皮弄伤，如果头发湿不要用爱茉莉染发剂，在通风的地方便用。5、先把旧衣服披在肩上，再戴上手套，再把爱茉莉染发剂涂在头发上面，一般要30分钟这样子头发就上色了。6、这时候就可以用清水来冲洗掉了，直到洗出来的水是没有颜色的，这时候爱茉莉染发剂的染发过程就做完了。染发注意事项1、染发过程中应戴上合适的手套，同时应尽量避免染发剂接触头皮和脸部皮肤，若产品不小心流入眼中，应立即用清水冲洗。2、染发剂不得使用于染眉毛或睫毛。3、正式染发之前，则要先在头皮薄薄地涂上一层清爽乳液，这样可以避免染发膏直接接触头皮，让头皮保持在清爽健康状态，而且在清洗时也更容易彻底清洁干净。4、在18℃-25℃的室温中染发，上色更快更明显。不要在洗澡时染发，水蒸气会让染剂颜色被稀释，也不要用热毛巾或者吹风机加热，反而会使染发剂上色不均匀。不宜染发人群对染发产品发生过敏反应或者头皮容易过敏、发红受伤的人群、处于生理期的女性、可能怀孕或已怀孕、产后的妇女、处于病中或病后恢复期等特殊情况下的人群不宜进行染发。
洛丽塔英文简介
1
When director Stanley Kubrick released his film adaptation of Vladimir Nabokov's controversial novel about a hopelessly pathetic middle-aged professor's sexual obsession with his 12-year-old stepdaughter, the ads read, "How did they ever make a film of Lolita?" The answer is "they" didn't. As he did with his "adaptations" of Barry Lyndon, A Clockwork Orange, and, especially, The Shining, Kubrick used the source material and, simply put, made another Stanley Kubrick movie--even though Nabokov himself wrote the screenplay. The chilly director nullifies Humbert Humbert's (James Mason's) overwhelming passion and desire, and instead transforms the story, like many of his films, into that of a man trapped and ruined by social codes and by his own obsessions. Kubrick doesn't play this as tragedy, however, but rather as both a black-as-coffee screwball comedy and a meandering, episodic road movie. The early scenes between Humbert, Lolita (a too-old but suitably teasing Lyons) and her loud, garish mother (Shelley Winters in one of her funniest performances) play like a wonderful farce. When Humbert finally fulfills his desires and captures Lolita, the pair hit the road and Kubrick drags in Peter Sellers. As the pedophilic writer Clare Quilty--Humbert's playful doppelgänger and biggest threat--Sellers dons a series of disguises with plans of stealing Lolita away from her captor. It's here more than anywhere that Kubrick comes closest to the novel. He extends Nabokov's idea of the games and puzzles played between reader and writer, Quilty and Humbert, Lolita and Humbert, etc., to those between filmmaker and audience: the road eventually goes nowhere and Humbert's reality is exposed as mad delusion. Perhaps not a Kubrick masterpiece, or the provocative film many wanted, Lolita still remains playfully fascinating and one of Kubrick's strongest, funniest character studies.
2
Lolita, light of so many lives, fire of so many loins, has become so much more than merely the book Nabokov wrote. The story of the young nymphet, Dolores (Lolita) Haze, and her seducer, Humbert Humbert, lives beyond the confines of the novel. In all the fuss about the story (and the films and Lolita-variations that keep appearing) Nabokov's novel is sometimes forgotten. This is unfortunate, because Nabokov's novel is a remarkable work of artistry, among the finest written in English in the second half of the twentieth century.
The story is well-known: Humbert Humbert has a thing for young lasses, "nymphets" as he calls them, certain maidens "between the age limits of nine and fourteen" whose allure certain "bewitched travelers" can succumb to. Succumb he does, marrying Dolores Haze's mother, becoming the girl's sole guardian, travelling across the country with her, losing her.
It is a tragic love story, a paean to America, a sordid tale humanized, a work of comic genius. Most of all it is Nabokov's writing: artfully crafted the book is a delight to read (and re-read -- as is necessary to uncover some of its secrets).
What happens in the book is terrible -- and its focus, which is, after all, around a man of about forty engaging in sexual relations with a barely pubescent girl, is particularly nasty -- but Nabokov humanizes his characters, and though what Humbert does is unforgivable the reader is entranced by the story. It is a peculiar thing that Nabokov has wrought here, but it is brilliant. Few novels are both as sad and as amusing as this one, with Nabokov mixing and managing both tragedy and comedy perfectly.
Essential reading, strongly recommended.
3
Lolita, arguably the most controversial film of the decade, has finally made it to theaters, and there's little doubt that all the hoopla was much ado about nothing.
Jeremy Irons stars as Humbert Humbert, while newcomer Dominique Swain takes on the part of Lolita. Melanie Griffith and Frank Langella have supporting roles as, respectively, Lolita's unhinged mother and Quilty, a mysterious figure who pops up periodically throughout the film.
By now, the storyline of Lolita is as well-known as the controversy surrounding it. Humbert Humbert, a man in his 40's, falls in love with Lolita, a 14 year old girl, and, needless to say, much trouble ensues. Along the way, Humbert ends up married to Lolita's mother, a coupling he agrees to only because he wants to keep seeing Lolita.
Lolita was originally slated for release last year, but because of a law passed a few years ago in the States regarding pedophilia, it was unable to secure an American distributor. I'm uncertain of what the situation was here in Canada, but the film finally premiered on the American pay-channel Showtime last month, and is slowly receiving a theatrical release.
Yes, the subject matter can be considered offensive. But the director, Adrian Lyne, has filmed the material in such a way that one would have to be awfully sensitive to be offended by anything in the movie. The scenes of intimacy between Humbert and Lolita are done in shadows and in a manner that generally keeps their affection private. It seems as though people were getting so upset about this film because of the premise, but I doubt those same people bothered to see the film.
The delicacy with which the subject has been handled is clearly the most surprising element within Lolita. Jeremy Irons portrays Humbert as possibly the most likable pedophile in movie history, while Dominique Swain perfectly captures the childish innocence of Lolita. In her portrayal, Lolita is a girl who is initially unaware of Humbert's wistful, and often lascivious gazes, but eventually comes to realize that she can use his lust to get what she needs. Her attempts at acting how she perceives a woman would behave are awkward and clumsy, just as one would expect from an inexperienced little girl. Their romance is actually quite charming for a time, until things start to get out of hand.
And not that a pedophile deserves any sympathy, but we're actually given a reason for Humbert's nature during a prologue right at the start of the film. When he was 14, he fell in love with a girl his age, and shared his first sexual experience with her. She died a few months later of a disease, and though it's not explicitly stated, we are meant to assume that's why Humbert developed into a pederast; to somehow reclaim the innocence and pleasure that he associated with that first real love. I've not read the original Nabokov novel, so I can't say whether or not this precursor to the story was implemented by the filmmakers as a way of making the audience feel more comfortable with Humbert. At any rate, it does explain quite a lot about him.
The only real miscalculation within the film is a scene of extreme violence in the third act that seems wholly out of place. It didn't really fit in with the rest of the movie, and I found it more offensive than the love affair between Lolita and Humbert. I've heard, though, that that same scene is just as gory in the novel, but perhaps a line needs to be drawn at what should be adapted for the screen and what shouldn't. For example, I am sure the love scenes between Lolita and Humbert were quite graphic in the book, but, obviously, the filmmakers chose to omit that from the film. So why stain the picture with a scene that would be more at home in a Paul Verhoeven flick?
Anyway, that is a very minor quibble. If you can look past all the controversy and the repugnant storyline, you'll find that Lolita is one of the best films of the year. It's beautifully shot, and all the performances hit just the right notes.
4
When a character's name enters the language as a general descriptor of a similar person, you know you're dealing with a classic. Lolita is exactly that film -- and the story of one man's obsession with his stepdaughter is so well-known it scarcely requires explanation. If you've never seen the original, you need to, and soon. While it's far too long at over 2 1/2 hours, these characters are so juicy and delicately balanced (this was 1962 and pedophilia was hardly accepted on film) they're a true must-see. Remade in 1997.
5
Of all of Stanley Kubrick's films, Lolita typically gets the lowest marks. While in many respects that's a fair assessment, it sells short the accomplishment of making a workable film of Vladimir Nabokov's novel within the restrictions of the early '60s, or any era, really. Working from a Nabokov script, Kubrick places his emphasis squarely on the novel's dark comedy. Strip the difference in age and Humbert Humbert's attitude toward Lolita becomes simply a portrait of the male psyche at its ugliest: obsessive in his idealization before Lolita reciprocates his affections, he becomes possessive and patronizing once their relationship gets underway. Capable of seeming charming and self-effacing even while he's destroying the lives of those around him, James Mason's performance holds the film together, but virtually every key role has been smartly cast. Peter Sellers is both funny and chilling as Mason's doppelganger, a man able to commit the same offenses with virtually none of the consequences. It's Winters, however, who grounds the film, her tremendously sad, all-too-recognizable character lending it a humanity lacking when she disappears from its second half. When Humbert's wanderings begin, the film itself loses its way a bit, in part due to its reliance on the interaction between Mason and Sue Lyon, who never quite displays the acting chops to match her appealing presence. A daring experiment, and in many respects a successful one, Kubrick's film is ultimately unable to maintain the uncomfortable intensity of its early domestic scenes, but still has much more going for it than its reputation as an interesting failure would suggest
6
Watching Lolita again recently I was struck by the way Kubrick and his cast flesh out the story without resorting to the 'show everything' approach taken in the '97 remake. Of course Doleres and Humbert are having a sexual relationship, but you get the sense she's done the same pattern before and certainly knows how to lead him on. Sue Lyon has Lolita's sly looks and mannerisms perfectly attuned to the sleazy confusion of the lodger who marries her overbearing mother just to stay close to the 'little girl' he first spotted in the garden ... I find Lolita the most disturbing character in the film for many reasons - she is directly responsible for the ultimate fates of her mother, Humbert and Quilty (although all contribute in some way to their own destruction). James Mason is great in a difficult role (I read somewhere this was at one point intended for Noel Coward, which would have been fascinating ... Peter Sellers put his mimicry talents to good use again as Quilty, but manages to invest this character with a true personality as well, you sense he is as much a victim as Humbert. The only false note is Shelley Winters, who is simply frightful with her cherry pie and her shrine to a 7 years dead husband. Lolita is a slow paced film with many layers and its circular structure where we see the 'ending' first and return to it at the end is an excellent trick.
7
One has got to wonder why director Adrian ("Fatal Attraction") Lyne felt so compelled to adapt Nabakov's story of pedophilia. Stanley Kubrick did it once in 1963 and although he admits it was one of his weaker efforts, the theme doesn't exactly cry out for re-examination. Given this, one surmises that Lyne will soon get offers to be the Master of Ceremonies at pedophilia parades or be asked to staff an informational booth at PedFest '98. In fact, if he plays his cards right in championing this unpopular cause, Lyne stands a fair chance of becoming the next Charlton Heston, if a tad less immoral.
Because Americans take some deranged pride in being the moral hypocrites of the world (an older guy screwing an underage girl is unmentionable, while little black kids blowing each other away with AK-47s is celebrated with its own genre of rap), the film has been kept from theatrical release in the States. Undoubtedly, it will show in the U.S. some day with the dreaded NC-17 rating or in a severely edited version with all the references to sex dubbed over in Japanese and any glimpses of naughty bits covered by the grinning, superimposed face of Tipper Gore.
With only a brief glimpse of little Lo's bod, Lyne resigns himself to constructing a huge, lip-smackingly-good innuendo sandwich. Professor Humpert marries Lo's mom (Melanie Griffith) to get to the little girl. After mom's death, Humpert takes Lo on a whirlwind tour of New England, growing ever more jealous that she may be doing something seedy, possibly with another local pervert (Frank Langella).
Naturally, this sort of thing is fated to end badly which, regrettably, does not include a graphic scene of Melanie's noggin getting burst like a ripe cantaloupe upon her untimely collision with the car that propels Humpert toward his dream. And that's the true waste of this movie: If you're going to incur the wrath of the MPAA, you might as might as well put your freedom to use and avenge "Shining Through" while you're at it.
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